Review: A master class by Catherine Deneuve in 'The Truth'
Family may be the great subject of Japanese filmmaker Hirokazu Kore-eda, but he doesn't draw straightforward portraits. In Kore-eda's hands, family is more malleable. He tends to shift roles around like he's rearranging furniture, subtly remaking familiar dynamics until he has, without you knowing it, undone everything.
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